Oprah Winfrey Have praised the Power 100 Women at the Entertainment Breakfast

The Hollywood Reporter’s “Power 100” Women in Entertainment Breakfast, honoring Oprah Winfrey with the Sherry Lansing Leadership Award, presented to her by former California First Lady Maria Shriver.

The program: TV host Jimmy Kimmel opened the ceremonies, taking note of “this sea of perfect blowouts” and suggesting “Wouldn’t it be better to rename the event the 100 most powerful people in Hollywood and just not give any of the spots to men?” He then delivered a warning to Kanye West, seated with the Kardashian clan. “Don’t even think about taking this award away from Oprah,” Kimmel said.

Next up were the Hollywood Reporter’s editorial director Janice Min, publisher Lynne Segall and Sherry Lansing. Demi Lovato followed by naming participants in the magazine’s mentoring program, a joint venture with Big Brothers and Big Sisters of Los Angeles, which pairs high school girls with mentors and awards them $10,000 college scholarships. Lovato surprised the audience by announcing not one, but two winners of full four-year scholarships, valued at $200,000 each, to Loyola Marymount University.

The crowd: The affair, presented by Lifetime, took place at the Beverly Hills Hotel on Wednesday (Dec. 11), the day the magazine released its list of the industry’s top female power players (and coincidentally the same day Screen Actors Guild nominees were announced, including Winfrey,nominated for supporting actress for her role in “Lee Daniels’ The Butler”).

The packed Beverly Hills ballroom included  Anne Sweeney, the  co-chair, Disney Media Networks and president, Disney/ABC Television Group, who was named No. 1 on the list for the fourth year. Also attending were Nancy Dubuc, president and CEO A+E Networks; Amy Pascal, co-chair, Sony Pictures Entertainment; Donna Langley, chair, Universal Pictures; Sue Kroll, president, worldwide marketing and international distribution, Warner Bros.; Jennifer Salke, president, NBC Entertaiment; Stacey Snider, co-chair and CEO, DreamWorks Studios; Sandra Stern, COO, Lionsgate TV; Jill Leiderman, executive producer, “Jimmy Kimmel Live”; Jeffrey Katzenberg, CEO DreamWorks Animation; “The Butler” director Lee Daniels and the film’s screenwriter, Danny Strong.

More familiar to the general public were Jane Fonda, Gayle King, Whitney Cummings, Nikki Reed, Maria Bello, Kim and Khloe Kardashian, Kris Jenner, Naya Rivera, Big Sean, Allison Williams, Amber Valletta, Geena Davis, Jesse Tyler Ferguson, Molly Sims, Ahna O’Reilly, Candice Accola, Angie Harmon, Gillian Jacobs, Mandy Moore, Cat Deeley, Alyson Hannigan and Judy Greer.

The presentation: “The woman that we are all honoring here this morning puts the capital ‘I’ in inspiring. She also puts the capital ‘I’ in influence,” Shriver said of Winfrey, continuing with more “I” descriptors:  imagination, instruction and impact.

After reciting a list of Winfrey’s many accomplishments, Shriver asked Winfrey to think back on her life from her birthplace in Mississippi to President Obama presenting her with the Medal of Freedom last month. “Think back to how hard you’ve worked, how many mountains you have climbed, how many scary, scary things you’ve pushed through, how many people you have proved wrong, how many people you have inspired,” she said.

The acceptance: “That beats a eulogy, I gotta tell you. It really does,” said Winfrey. “I mean, good Lord. And you’re alive to hear it.”

Winfrey defined power as “strength over time. That means strength times strength, times strength, times strength equals power.”

She talked of seeing herself on the cover of the Hollywood Reporter’s “rule breakers” issue. “When I saw the title of the cover, it brought tears to my eyes because my cover line was ‘innovator.’ And I thought, ‘Is that what this was? I’m a rule breaker and an innovator?’ I just thought I was getting my [rear] kicked.”

She concluded with the importance of using power to better the lives of others. “That is the true purpose of leadership,” she said. “How do you use your life to elevate the life of somebody else? That’s what everybody in this room has been called to do.”

Entertaining tips

With the holiday season gearing up, more than a few of us will be hosting a festive dinner party, buffet or potluck. As pleasant as any holiday event may be, it seems like the moment someone rings the dinner bell, an otherwise civil gathering can turn into a stampede as guests mob the food table.

Much as I like to keep my buffets casual and free-form, there are a few rules I always follow to keep the meal organized. Call it a little “buffet psychology.” Here are some tips:

1. Organize the food layout, with a definite beginning and ending. Set the plates, napkins and silverware/plasticware at one end of the table near the food, so guests know where to line up. This will keep the guests from rushing the food like an NFL defensive line.

2. Consider plate size. Guests tend to fill up whatever size plate they have, be it small or large. Go with a smaller plate (8 to 9 inches in diameter) so guests don’t overfill and waste food. They can always go back for seconds.

3. Organize all of the less-expensive/greater-quantity foods at the “beginning” of the buffet, like salads and starches (rolls, rice, potatoes, etc). Save the big ticket and expensive items for the very end of the buffet (turkey, roast, fish) so guests have less room on their plates and are less likely to overfill.

Chief talks NBC Entertainment Leno, NFL and Peter Pan

NBC doesn’t want to say goodbye to “Tonight Show” host Jay Leno just yet.

“I’m very much hoping we will enter into a new relationship with him after ‘The Tonight Show,’ ” said NBC Entertainment Chairman Bob Greenblatt at the semiannual Television Critics Assn. press tour in Pasadena on Sunday.

Leno, who ends his run as “Tonight Show” host on Feb. 6 (with Billy Crystal as his final guest), has kept mum on his future plans, including whether he will seek another TV hosting gig. Greenblatt said he’d like to have Leno host specials for NBC down the road.

Jimmy Fallon, host of NBC’s “Late Night with Jimmy Fallon” will debut as host of “The Tonight Show” on Feb. 17, in the midst of its coverage of the Winter Olympics in Sochi, Russia. The network hopes that the bigger audiences for the Games will mean increased sampling for Fallon.

Greenblatt also said the network has an appetite for more football. The National Football League is soliciting offers for a potential Thursday night package of games. Greenblatt declined to comment on whether NBC, which is home to Sunday night football, had made an offer but said “we’d love to have more NFL games,” and “Thursday night games might be really interesting to us.”

One reason Thursday football would appeal to NBC is that its comedies on that night have been struggling. The network has programmed sitcoms on Thursday for decades but given its recent challenges, Greenblatt didn’t rule out going in a different direction next season. Expensive and heavily promoted new comedies starring Michael J. Fox and Sean Hayes have failed to click with viewers, much to the frustration of the network.

“We’re really unhappy that we can’t find an audience for them,” said Greenblatt, adding that this spring the network will “have to get in the scheduling room and make some hard decisions.”

An easy decision for NBC to make was to greenlight another live musical after the surprising success of “The Sound of Music Live” last month. Greenblatt said NBC would take another crack with “Peter Pan” in December. Producers Craig Zadan and Neil Meron, who made “The Sound of Music Live” are also on board for “Peter Pan.”

NBC also said it had signed “Parks and Recreation” star Amy Poehler to a production deal and is developing a sitcom she will produce starring Natasha Lyonne (“Orange is the New Black”) as a woman who works in a senior care facility.

Networks are typically obsessed with shows about younger people, but NBC executives said this comedy will give it a chance to broaden its casting and appeal to older viewers as well.

“I’d like to see them represented,” Greenblatt said.

Other new shows in development include “State of Affairs” starring former “Grey’s Anatomy” star Katherine Heigl as a CIA liaison for the White House. The network also has a limited series in the works inspired by Frank L. Baum’s books called “Emerald City.”

Coming off a strong fall in which its average prime time audience was up 10%, Greenblatt said NBC is unlikely to change the way it develops new shows. Responding to a question regarding Fox’s plans to abandon so-called pilot season — the three month ritual in which networks frantically order scripts, hire actors and shoot trial episodes — Greenblatt said he is happy with the current model.

Finding Ways To Keep Up With Options

Guide to Making the Right Music Logo Design

Your logo for your band, music, or album is extremely important. From the hues to the font and other components, the music you make should be reflected in your logo designs. Make sure that you take the time to consider the traits and characteristics that reflect your brand to ensure that you design the logo that is best for your brand. This should concentrate on those things that make you stand out from the throngs of other musicians competing for the same limited amount of available gigs. Your logo is thought of as one of your band’s best assets, so you should hire a reliable expert who will do the job well. Below are some of the most essential factors that you should keep in mind when you are designing a music logo.

Look to Your Lyrics for Inspiration

If you are unsure regarding where you should focus on, your lyrics from your popular techno songs are always a great way to kick it off. For example, think about your biggest hit. If there is a certain line that your fans love to scream out with you during your gigs, you can use that to inspire you when you design your logo. Do not forget that you only have a single chance to make a good first impression, so don’t waste it.

Consider the Font and Colors

A music logo provides a great opportunity for your music and lyrics to reach millions of people that all have the potential of turning into one of your lifelong fans. For this reason, you need to make sure that the logo you design meticulously considers components such as what your music means to you and your fans, the colors, and even the font. Always remember that a striking and interesting music logo says a lot about you. You do not just want to create a great first impression, but when people see your logo, you want to make their experience memorable and to make sure that they understand what your music is about.

Take into Account the Music Genre

Logos are an amazing technique of increasing your band’s visibility. Another factor to think about is selecting a fitting color scheme. Those in the music industry have several alternatives that they can choose from. Blacks, reds, and silvers are a few of the favored choices for bands playing in the heavy metal genre. Calming colors like greens and blues are typically preferred by those who make easy listening music. Because these are the most usual, it also is quite possibly the most effective.

Smart Ideas: Options Revisited

Tips on Creating a Breath-Fresh-Air-Guide-logo-Redesign.

In business, the key role is to make sales.The growth and profits of a business is determined by the amount of sales it makes.If you notice that your sales keep lagging then it means that your company is not reaching the number of people it was reaching before. There are different factors that make an industry not have sales. One of the examples is having a competitor in your area giving the same products and service like you.This makes things hard for a company.Rebranding your business may change things for you. Rebranding may mean modifying your business.Some of this changes may be creating new content, revamping your products and services a move to serving a bigger market or redesigning your website. Logo redesign can also be an option. Logo redesign is fundamental as it tells your customers that you have changed. customers will know that your way of doing business is very new while offering the same services.The following are several things required to have a logo redesign.

Initially, have a new yield on a fresh model.Logo redesign can be a delicate business.This is because you may want to be very clear that you are back and much better than before and not confuse your clients. It is crucial to hold your client’s base you worked hard to get.Updating the image of your logo will be very helpful. An example is having an image of a phone if you are selling app downloads to your customers.The image of the phone should be of a current version of a phone and not out dated.It is also good to modify the font of your new logo. This is efficient process in that it helps you show the changes without meddling with your product Getting a custom made font can help distinguish yourself from other competitors

Finally, try a new quality of your logo.Changing the color of your logo is a good means to move things to higher levels without your consistency being compromised. It is recommended to choose the apple logo as it has been shown in various shades and color. Also, it does not take away the brand customers. It is good to think of uploading your logo in your online platforms. This may consist of your blog, your website, and your social media handles.

Today if you want to create your logo redesign it is recommended you write down your ideas and visit the online logo design tool to help you on how to come up with your logo redesign.A logo redesign helps you reach a wide range of customers. Ensure your logo redesign is the same all over. You avoid confusing your clients in this way.

The Path To Finding Better Resources

Ways To Ensure The Best Origami.

Origami box is an art which was discovered long time ago. Various designs are modelled by the experts in this art design bearing the objects we are familiar. Though it may look hard to work as an artist, various people also see it as just an easy task that one count it enjoyable.
In the actual work of arts, there are many types of papers recommended for use. It is clear also that to ensure that there is exact correspondence of the pieces used,the origami pattern designers especially the new ones choose them. Colors and the thickness of the paper are two considerations an origami patterns maker should give keen interest in. Few errors are there for the thin papers because they can easily be folded into any shape. Choosing an attractive color for the paper makes the best origami patterns making.
The type of the tutorial book identified for use is a key point again. It is good and so beneficial to choose an instructional that is simple to comprehend and gives leading information. The spelt out content in the instructional book is not adequate to make one proceed to production stage of the origami pattern. Learning is efficient when it involving seeing as designing is taking place. Origami websites are rich in simple and comprehensible contents as even compared to the tutorial or instructional books we buy.
For those entering the field for the first, it is crucial, to begin with, a small but necessary making of origami patterns.Before advancing to more complex origami designs, a fresh person to the system should start off with the basics.
Once mastering of basics is done, shifting to a more challenging step is the next step. Experiencing difficulty as you try to make origami patterns is a clear indication of an improvement in terms of knowing how to be the best designer. Repetitive actions by the designers sharpen their level of know how as far as designing of origami patterns is concerned.
After confirming that the origami makers are well conversant with designing of various designs, they may wish to extend by testing or applying their skills on fabric. Learning to fold a fabric napkin into an animal or flower shape is a great way to sharpen the skills of someone.
Spare time to involve your family members and other people you interact more often with, this is because this art work is likeable by many. There are various signs which results from participation of other people to everyone who contributes irrespective of who they are. Besides, working with others help gain a lot as you deliver the teaching hence develop the skills further.
It is so vital to always think of modern and fresh ways to increase the available skills of making the origami patterns than one can ever imagine.
in design, the culture of the residents should be under consideration because otherwise, no one will pay attention to your product. This go hand in hand affecting the marketability of the origami patterns design.

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Sony’s head of entertainment David Bishop left in March 2014

David Bishop, president of Sony Pictures’ home entertainment division, is leaving the company in March when his contract expires, a Sony spokesman said on Wednesday.

A replacement has not been named for Bishop, who has led Sony Pictures Home Entertainment since 2006 during a turbulent time for the home video business as consumer habits changed.

“David played a tremendous role in building the home entertainment organization we have in place today: an innovative business that can compete aggressively in the evolving digital marketplace,” said Michael Lynton, chairman and chief executive of Sony Pictures Entertainment.

This comes after a shakeup earlier this year in which Sony picked Dwight Caines as president of theatrical marketing for the company’s Columbia TriStar Motion Pictures Group. Caines assumed some responsibilities of Marc Weinstock, who was fired from his post as the studio’s head of domestic and international marketing. Longtime media relations executive Steve Elzer also left Sony this year.

The departures followed a poor box office showing from the film studio this summer. The Will Smith action movie “After Earth” made a disappointing $244 million in worldwide ticket sales, while the Channing Tatum film generated $205 million.

However, Sony has fared better with fall offerings such as  the animated sequel “Cloudy With a Chance of Meatballs 2” and the Tom Hanks-starring “Captain Phillips.” “American Hustle” is performing well in limited release and expands this weekend.

Brad Pitt’s Pilm Company

Plan B Entertainment, has signed a production deal with New Regency and RatPac Entertainment — an arrangement that precipitates his company’s departure from Paramount Pictures at the end of the year.

The pact takes one of Hollywood’s hottest and best-known production banners away from the Viacom Inc.-owned studio and aligns it with crosstown rival 20th Century Fox.

Plan B’s first-look deal with Paramount expires Dec. 31. The production company has been based at the studio since 2005.

New Regency and RatPac will finance future projects from Plan B as part of a multi-year, overall deal, New Regency said in a statement Tuesday night. The company is based on the 20th Century Fox lot and has a long-term distribution arrangement with the studio.

RatPac, the film finance vehicle of filmmaker Brett Ratner and Australian businessman James Packer, will have the opportunity to co-finance projects from Plan B that are in development at New Regency.

New Regency already has a relationship with Pitt and his company, having co-financed and co-produced Plan B’s recent success, “12 Years a Slave.” The companies also are working on “True Story,” a crime drama that stars Jonah Hill and James Franco. That project, to be released by 20th Century Fox, recently wrapped production.

New Regency Chief Executive Brad Weston praised Plan B in an interview with The Times.

“We had a great experience with Plan B on ‘Twelve Years a Slave’ and next year’s ‘True Story’ and we really like each other,” said Weston, also New Regency’s president. “It was a really organic outgrowth of a great relationship.”

Plan B said in a statement that the arrangement with New Regency and RatPac is a “perfect fit.” New Regency was founded by billionaire producer Arnon Milchan, who serves as its chairman.

At Paramount, Pitt’s company made this past summer’s zombie thriller, “World War Z,” which grossed $540 million worldwide, according to Box Office Mojo. The expensive Marc Forster-directed movie, which starred Pitt, suffered from production issues, and required reshoots.

The A-list star will continue to have a relationship with Paramount: The studio is moving forward with Pitt’s “World War Z” sequel, which “The Impossible” director Juan Antonio Bayona would direct.

Paramount declined to comment.

Pitt formed Plan B in 2002 with then-wife Jennifer Aniston. He has long had a close relationship with Brad Grey, the chairman and chief executive of Paramount.

“World War Z” is by far the highest-profile movie made by Plan B that Paramount released.

Plan B produced the comedy “Year of the Dog” and the thriller “A Mighty Heart” for Paramount’s specialty film division Paramount Vantage. Both movies came out in 2007, with “Year of the Dog” taking in $1.6 million worldwide and “A Mighty Heart” topping out at $18.9 million.

However, Plan B found major success at other studios. Among the successes that Paramount missed out on were “Kick-Ass,” which was released in 2010 by Lions Gate Entertainment and grossed $96 million worldwide; the prestige picture “The Tree of Life,” which was directed by Terrence Malick and released by Fox Searchlight Pictures; and “12 Years a Slave,” an Oscar contender that also was distributed by Fox Searchlight.

“12 Years a Slave” has been a source of friction between Paramount and Plan B. The drama has been a critical and commercial hit, grossing more than $35 million worldwide, but Paramount didn’t get an opportunity to distribute it, according to a studio source with knowledge of the matter who was not authorized to comment publicly.

Paramount believes, according to this person, that Plan B violated its deal with the studio by not offering it a chance to distribute the picture, which was released in October.

New Regency declined to comment about the “12 Years a Slave” matter. Plan B did not immediately respond to a request for comment.

It has been a busy few days for Paramount, which has lost one top-tier producer, but gained another. On Dec. 6, the studio announced it had inked a first-look deal with producer Jerry Bruckheimer.

As part of that three-year pact, Bruckheimer will produce “Top Gun 2” and a “Beverly Hills Cop” picture for the studio.

Plan B’s deal with New Regency and RatPac is the last company’s second high-profile film financing accord in recent months.

In September, Warner Bros. Pictures struck a financing deal with RatPac-Dune Entertainment LLC, a new entity formed by Dune Entertainnment’s Steven Mnuchin and RatPac.

Legendary bought TV production company Asylum Entertainment

Legendary Entertainment is expanding its television production repertoire by acquiring Asylum Entertainment, the firm behind the biographical miniseries “The Kennedys.”

Legendary, the entertainment company controlled by film producer and financier Thomas Tull, announced Monday it had completed a deal to buy 100% of Asylum Entertainment, a 10-year-old production firm.

Financial details of the transaction were not disclosed.

Asylum specializes in unscripted and scripted fare. The 2011 miniseries “The Kennedys” featured Greg Kinnear, Barry Pepper, Tom Wilkinson and Katie Holmes. Originally produced for the History Channel, the network abandoned the project after complaints from Kennedy family members.

The independent Reelz Channel ultimately broadcast the series, which scored 10 Emmy nominations.

Asylum’s other credits include the sports documentary series “30 for 30” for ESPN and the 2013 movie “Ring of Fire” for Lifetime Entertainment with Jewel playing June Carter Cash.  Asylum is producing “Happy Valley” for A&E, which looks at how the sexual abuse scandal involving assistant football coach Jerry Sandusky seared the cultural fabric of Penn State University.

Legendary has been raising its profile in sports-themed content, producing this year’s biographical feature film on Jackie Robinson, “42.”

Asylum Entertainment’s founders, Chief Executive Steve Michaels and Chief Creative Officer Jonathan Koch, plan to stay on to run Asylum as a somewhat separate entity.  They will report to Bruce Rosenblum, the former Warner Bros. television chief who became president of Legendary’s television and digital media businesses last summer.

“This is an incredible deal that allows Asylum to scale our existing business beyond what we could have imagined,” Michaels and Koch said in a statement. “In terms of our programming philosophies and the audiences we’re trying to build and serve, Legendary is a perfect match.”

Obama praised the growth of employment in the entertainment industry

President Barack Obama put the klieg light on Hollywood Tuesday, crediting the motion picture and television industry for being an engine of growth and a bright spot in a recovering economy.

“Entertainment is one of the bright spots of our economy,” Obama told a crowd of nearly 2,000 people gathered at the Glendale campus of DreamWorks Animation SKG. “The gap between what we can do and other countries can do is enormous. That’s worth cheering about.”

Obama was hosted by DreamWorks Animation Chief Executive Jeffrey Katzenberg, who is one of Obama’s biggest contributors and fundraisers.

A May 2012 fundraiser hosted by Katzenberg at George Clooney’s house raised nearly $15 million for the Obama campaign. And in September, Obama met Katzenberg for dinner at the Hilton Woodland Hills after an appearance the president made on “The Tonight Show With Jay Leno.”

Obama thanked Katzenberg for his support. “Jeffrey … has been a friend and supporter through thick and thin,” Obama said. “His place in the entertainment industry is legendary. I don’t need to puff him up too much. He has a healthy sense of self, but he is a great friend and somebody whose counsel and advice I value and I’m incredibly grateful to be here at this wonderful institution that he helped to build.”

White House Deputy Press Secretary Josh Earnest told reporters Monday that Obama chose the DreamWorks Animation site because of the studio’s track record in creating jobs, not because of Katzenberg’s fundraising. Employment at DreamWorks has risen by 50% since January 2008.

DreamWorks has generated billions in box-office revenue from its hit “Shrek,” “Kung Fu Panda” and “Madagascar” movies, expanding its business in China and overseas markets and branching into television with a recent partnership with the Netflix streaming service.

Guided by Katzenberg, Obama got a lesson in how animators use motion capture to bring animated characters to life and had a funny exchange with actors Steve Martin and Jim Parsons, who were recording lines for the studio’s upcoming alien-invasion film, “Home.”

Obama greeted the actors in a small sound studio. He shook hands with Parsons but not Martin, who declined, explaining that he had a cold. Instead of shaking hands, the actor and the president did a little elbow bump.

“Are you going to sound a little nasal in your reading today?” the president asked Martin.

“I actually got the cold intentionally,” Martin joked.

“How’s the banjo playing?” Obama asked Martin. “This guy performed at the White House and was unbelievable,” he said, turning to the press. “I was a little shocked at how good he was.”

Martin said the performance had been “the biggest thrill of his life.”

“That’s how I felt about it,” Obama said. “I told Michelle: ‘Biggest thrill of my life. Inauguration, nothing; Steve playing banjo, that was big.'”

After the tour, Obama said he asked Katzenberg if he could work for the company and quipped that he felt a natural connection to the studio because his “ears were one of the inspirations for Shrek.”

The president met privately with a group of top Hollywood executives including CBS Corp. Chief Executive Les Moonves; Warner Bros. CEO Kevin Tsujihara; Peter Rice, chairman of Fox Broadcasting; Amy Pascal, co-chair of Sony Pictures Entertainment; Ron Meyer, vice chairman of NBC Universal; and Chris Dodd, head of the Motion Picture Assn. of America.

“The meeting was an opportunity to discuss the economy and highlight the entertainment industry as a bright spot in our growing economy,” Earnest said. “The president discussed the impact that broader economic conditions has on the industry. He also touched on piracy and intellectual property rights, which are chief concerns of participating film industry leaders.”

Obama’s visit and upbeat message about the entertainment industry, however, comes at a time of widespread anxiety among the middle-class crew members in Los Angeles who work behind the scenes on film and TV sets.

Many have seen their job opportunities and incomes dwindle as more work has migrated to other states and countries such as Canada and the U.K. that offer film productions stronger incentives and tax breaks than are available in California.

“Some indicators suggest that activity in the entertainment industry is up, but that has not translated into jobs here in California,” said Robert Kleinhenz, chief economist with the Los Angeles County Economic Development Corp. “In fact, the number of industry-related jobs locally and in California has shown little improvement since the recession, even as industry employment nationally has increased modestly over the past couple of years.”

LA. County Many saw a 3.1% increase in entertainment work in October

Employment in L.A.’s entertainment sector rebounded last month, with the number of film and TV jobs rising 3.1% over the year before.

Employment in L.A. County’s motion picture and sound recording category — which covers the bulk of employment in the local film, TV and music industries — rose to 118,400 jobs in October, an increase of 3,600 jobs from October 2012 and nearly 2% from September, according to state employment data.

The entertainment sector fared better than L.A. County’s economy as whole. Non-farm employment in L.A. rose 1.4% in October compared with October 2012, while the number of non-farm jobs in Sept. was up 1.2% from a year ago.

The figures, compiled by the Los Angeles Economic Development Corp., are subject to revision and do not count those who work as freelancers or independent contractors.

Nonetheless, they represent an improvement over September’s job picture, when L.A. County lost 1,000 jobs in the entertainment category compared with the same month in 2012, a decline of 0.9 %.

Studios including Walt Disney and DreamWorks Animation, as well post-production houses such as Rhythm & Hues and Digital Domain, have laid off hundreds of workers this year in an effort to cut costs. Southern California also has been squeezed by the exodus of film and TV jobs to other states and countries.